All Praise to Him
One of the 94 hymns we sing together at Cornerstone Reformed Baptist Church on the Gold Coast. Browse the full hymnbook.
Lyrics
Verse 1
All praise to Him, the God of light
Who formed the mountains by His might
All praise to Him Who names the stars
That sing His fame in skies afar
All praise to Him Who reigns in love
Who guides the galaxies above
Yet bends to hear our every prayer
With sovereign pow’r and tender care
Verse 2
All praise to Him whose love is seen
In Christ the Son, the Servant King
Who left behind His glorious throne
To pay the ransom for His own
All praise to Him Who humbly came
To bear our sorrow, sin, and shame
Who lived to die, Who died to rise
The all-sufficient sacrifice
Verse 3
All praise to Him whose pow’r imparts
The love of God within our hearts
The Spirit of all truth and peace
The fount of joy and holiness
To Father, Son, and Spirit now
Our souls we lift, our wills we bow
To You, the triune God, we raise
With loving hearts our song of praise
Behind the Hymn
"All Praise to Him" is based on a hymn by Horatius Bonar (1808–1889), one of the greatest Scottish hymn writers of the nineteenth century, with additional music and words by Matt Merker and Bob Kauflin. Bonar was a minister in the Free Church of Scotland who wrote over six hundred hymns during his long ministry, many of them during the disruption of 1843 when he left the established Church of Scotland over issues of spiritual independence. He was deeply influenced by the Evangelical Revival and the premillennial hope of Christ's return, themes that permeate his hymns. Merker and Kauflin updated Bonar's text with a modern melody and additional lyrics, making it accessible to contemporary congregations while preserving the theological substance of the original. This practice of adapting historic hymns with new tunes — pioneered in the modern era by groups like Indelible Grace and the Gettys — allows the rich theology of past centuries to speak afresh to today's church. The result is a hymn that bridges two centuries of Christian worship, joining Bonar's nineteenth-century Scottish piety with twenty-first-century musical sensibility.